Three top albums from the 1980s without the top album Grammy
The 1980s continued the trend with now classic albums overlooked. More new music styles emerged along with breakthrough artists. These three examples help show some of that range. But again, all three missed out on that top album prize at the Grammys.
The Smiths — The Queen Is Dead (1986)
This album perhaps has the benefit of time to boost its credentials. The Smiths’ third album is often quoted as their best, though everyone will have their own favorites. It’s a faultless release; the music sums up the band and their individual members so well. Maybe it was a bit too niche to get Grammy recognition, but it wouldn't at all have been undeserved had it happened.
Joy Division — Closer (1980)
It’s dark, mournful, and chilling as an album. The second album from Joy Division is a brilliant example of the band's music. Sadly, the shadow of Ian Curtis’s death just a few months after release makes it an even bleaker sound. It’s still very much a masterpiece.
Prince — Sign o’ the Times (1987)
Prince’s album did pick up some nominations across other categories and plenty of awards elsewhere. So it wasn't exactly ignored. Many still rate this as a peak in Prince’s relatively short musical career.
The 1990s and Britpop misses out
R.E.M. — Automatic for the People (1992)
R.E.M. did get plenty of recognition as a band, but this perfect album missed out too in that main album Grammy. Superb tunes from start to finish, it’s very typical of the band, and each song hits home and has its place. They all still sound great, as does the album as a whole.
Oasis — Definitely Maybe (1994) and (What’s the Story) Morning Glory? (1995)
Two mentions here for Oasis. The band was largely overlooked by the Grammys in album terms. None of their albums had an Album of the Year nomination there despite being one of the Britpop leaders of the 1990s.
The band's reunion last summer was a great reminder of their many top tunes coming from their early albums. Definitely Maybe is an outstanding debut disc. The follow-up, (What’s the Story) Morning Glory? , was a very impressive second album, possibly even better than their opener.
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